Schools with no toilets and no sinks to wash your hands. Sick children labelled as “mentally deficient” because of their swollen adenoids and tonsils. Adolescents with a full set of dentures, little children cleaning their teeth with the corner of a sooty towel. A generation of teenagers with curved spines and poor eyesight from bending over their school desks in poorly lit and freezing cold classrooms. This was the picture of public health in Tasmanian schools in 1906. Over the next 75 years, schools found themselves on the front lines of the battle against contagious disease, poor nutrition and poor health. Over time, Tasmanian public schools became a crucial part of the Tasmanian public health system, and transformed the lives of thousands of Tasmanian children. Read on to find out more about this fascinating story.Continue reading “From “Dangerously Foul Air” to Free School Milk: A Brief History of Public Health in Tasmanian Public Schools, 1900-1975”
At the foot of Mount Wellington stands the remains of a forbidding institution. Nearly two centuries ago, the walls of the Cascades Female Factory housed hundreds of women, children and babies. Some of these convict women were waiting to go to new masters, others were being punished. Now you can help to tell their stories through our newest digital volunteering project, transcribing the Register of Female Convicts at the Cascades Female Factory, 1833-1834.
Almost a century ago, two Tasmanian women wrote and produced a lost classic of Australian cinema. Set in the osmiridium mining fields of Tasmania’s Western Wilderness, Jewelled Nights was one of the first productions of its kind, created by the novelist Marie Bjelke Petersen and the silent film actress Louise Lovely in 1924.
If you’ve been through the Allport gallery recently, you will have noticed the birds. They are familiar birds, with all of the endemic Tasmanian species represented – many visitors will recognise them from their own backyard. And they are lovely. But the thing that convinced us that it was worth getting these prints out for display is the controversy – whose hand created them?
What was a time-ball and how did it contribute to the feminist movement?