The State Library and Archive Service is issuing a challenge to Tasmanians to read five different examples of nineteenth-century handwriting from our Heritage Collections, each featuring a different set of records held in the State Archives.
The scripts are selected to give you insights into some of the key strengths of our collection and we hope they will pique your interest to explore further.
The State Library and Archive Service is issuing a challenge to Tasmanians to read five different examples of nineteenth-century handwriting from our Heritage Collections, each featuring a different set of records held in the State Archives.
The State Library and Archive Service is issuing a challenge to Tasmanians to read five different examples of nineteenth-century handwriting from our Heritage Collections, each featuring a different set of records held in the State Archives.
The scripts are selected to give you insights into some of the key strengths of our collection and we hope they will pique your interest to explore further.
The State Library and Archive Service is issuing a challenge to Tasmanians to read five different examples of nineteenth-century handwriting from our Heritage Collections, each featuring a different set of records held in the State Archives.
The State Library and Archive Service is issuing a challenge to Tasmanians to read five different examples of nineteenth-century handwriting from our Heritage Collections, each featuring a different set of records held in the State Archives.
The scripts are selected to give you insights into some of the key strengths of our collection and we hope they will pique your interest to explore further.
As the week progresses, the challenge will get a bit more difficult, as you become more familiar with reading script.
Each challenge will consist of two blogs. The morning blog will contain your transcription challenge, while the afternoon blog will provide the answer, as well as historical background to the events discussed in the challenge task. There will also be recommendations of other resources held in the Libraries Tasmania collections on the topic for you to explore.
Your Transcription Challenge
Your first challenge is to transcribe a passage from the account of the voyage of the Female Transport, Garland Grove (2) in 1842/1843:
Tasmanian Archives: Abraham Harvey, Reminiscences of a Voyage on the Female Convict Ship Garland Grove, p.4 (1842-43), NS816/1/1. Abraham Harvey was the 2nd Officer on board the Garland Grove, which left England in August 1842 and arrived in Van Diemen’s Land in January 1843.
The Answer …
will be published in our blog this afternoon. Stay tuned!
Natural history collections are not only useful to scientists. They also reflect the life of the collector, his or her family, their connections, and the worlds they inhabited – even the state of their digestion! Ruth Mollison’s story about Morton Allport’s shell collection is a piece of detective work, a personal history, and an insightful (and sometimes unnerving) exploration of how one Tasmanian family intertwined art, science, reputation and obsession.
Thomas Bock’s notes on photography, including Talbot’s calotype process and daguerreotypes – Ref: ALL34/1/1
Star of Tasmanian shipboard journal (1859-60) – Ref: NS7221/1/1
Journals of Separate Prison wardens, Tasman Peninsula (1860, 1863) – Ref CON91/1/2-3
Descriptive Lists of Male and Female Convicts to Be Embarked for Van Diemen’s Land from Various Prisons in the United Kingdom, (1839-50). Ref: CON114/1/1-8
Convict credit and gratuity books, Tasman Peninsula (1865-68). Ref: CON130/1/1-3
Register of Convicts for Whom Enquiries were Made (1850-68). Ref: GO121/1/1
Tasmanian Birth Registers (1921) – RGD33/2/5 to 8
Female Admissions, Royal Derwent Hospital (1898-1903) – Ref: AB365/1/13
Copies of Wills Recording Granting of Probate (1868-1874) – Ref: AD960/1/8, AD960/1/9
Daguerreotype and ambrotype portraits – Ref: NS5465/1/1-3
Launceston Collection of Photographs of Ships – Ref: LMSS761/1/1-490
Hobart Town by Ensign Kemp from behind my quarters / W.H. Kemp
Artworks by Knud Geelmuyden Bull
Mount Wellington from Bellerive, artist unknown
Mount Lyell mines map,1896
Glass plate negatives from AA Rollings Collection – Ref: NS1553/2/1 to 34
Kunanyi/ Mount Wellington is an integral part of the Hobart landscape. For the Muwinina people it is a place of cultural and spiritual significance, and a place of creation. Since the European settlement of Lutruwita/ Tasmania, the mountain has commonly appeared in visual and written descriptions of Hobart, providing a sweeping backdrop that frames the small town nestled along the river below. However, Kunanyi/ Mount Wellington is more than simply an iconic background; it has long been a source of resources for the town itself, including ice, timber and mining, amongst other things. Moreover, the mountain has long been regarded as a place of recreation and leisure, with picnics at the Springs and walks to its many waterfalls amongst its most popular activities. In 1935, Jack Thwaites (1902-1986) – a renowned Tasmanian photographer and conservationist- provided a wonderful description of Kunanyi/ Mount Wellington watching over Hobart, and alludes to the many ways in which the mountain draws people in…
every available tree of this type has been taken over in Gt Britain for War Purposes, the chief item being aircraft construction, the timber being the best substitute for spruce, which is all tied up now in countries occupied by the enemy … The other uses for this willow is artificial limbs for which no other timber is suitable, and recently has [been found to have] the quickest, and most powerful detonation as a component in high explosive fuses for shells … So you can see that none of the tree is not of high commercial value.
