Isn’t it good, Taswegian Wood: Experiments in Growing Cricket Bat Willow Trees and a Wooden Cricket Pitch

In the 1930s and 40s cricket bats were a precious thing. Around the world, bats were in short supply, largely due to an increase in demand for English willow (Salix alba var. caerulea) for use in a range of items both during and after the Second World War. As was noted in correspondence between J. M. Crockett and The Commissioner of the Australian Council of Agriculture in July 1940:

every available tree of this type has been taken over in Gt Britain for War Purposes, the chief item being aircraft construction, the timber being the best substitute for spruce, which is all tied up now in countries occupied by the enemy … The other uses for this willow is artificial limbs for which no other timber is suitable, and recently has [been found to have] the quickest, and most powerful detonation as a component in high explosive fuses for shells … So you can see that none of the tree is not of high commercial value.

As a cricket bat manufacturer, J. M. Crockett (Jim) had obvious motives in writing to the Commissioner and highlighting both the current global willow shortages and the value of willow timber more broadly; he wanted to propose the planting of willow trees as a viable and profitable agricultural activity in Australia. As Jim Crockett continues in his letter, ‘in normal times Australia’s requirements alone is 100,000 cricket bats annually, for which 4,500 mature trees would be required to produce the same.’ Kashmiri willow, which today is a major source of cricket bat willow, had not yet been fully developed as an industry outside of India, and so the bat-making industry was having to look further afield to other sources of willow. Australia, and most particularly the cooler and wetter climate of Tasmania, was certainly a strong option worth exploring. Over the next few years Jim Crockett made several visits to Tasmania, noting the ‘climatic conditions ideal’ for willow bat propagation. Indeed, he went so far as to state that ‘not only could Tasmania make Australia self-sufficient, but an export trade to the empire’s cricketing Dominions was extremely likely.’

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Recently Digitised Material

This blog features some of the recently digitised items from the Tasmanian Archives and the State Library of Tasmania. Each year, we place items online to help promote and preserve our rare and special collections. These images and films are just a tiny sample of an amazing treasure trove of Tasmania’s heritage. From colonial artwork to convict records, from fragile glass plate negatives to rare films, from private letters to government records, our collections (including the Allport Library and Museum of Fine Arts and the W L Crowther Collection) tell literally millions of stories from Tasmania and around the world.

Read on to find out more about our new additions to our digital collections! To discover even more, you can also search our catalogue or visit us on Flickr and YouTube.

In this blog:

  • Glass Plate Negatives of Sea Captains, c1920 – Ref: NS6192
  • Stereoscopic Views of the ‘Franklin Relics,’ 1860 – Ref: NS1155
  • Mt Biscoff Tin Mine Photographs – Ref: NS6719
  • Gentleman Jim, 1942 – Reference: Ref: NS4264/1/5
  • Hobart High School Photos – Ref: AG162/1/6
  • Charles Street School Register 1902-08 – Ref: AB753/1/1
  • Return of Convicts Embarked for Port Arthur by the Ships Tamar, Isabella, Shamrock, and Lady Franklin (1834-1855). Ref: CON126/1/1
  • Return of Money Forfeited by Prisoners at Port Arthur (1864). Ref: CON132/1/1
  • Letter from the Colonial Secretary to the Commandant, Port Arthur (1834). Ref: CON86/1/2
  • Film: Timber Makes News, 1947 – Ref: AC672/1/219
  • Film: Les Skelly talking about Tiger Hill, 1986-9 – Ref: NS1391/1/1
  • Film: Burnie Mill, 1956 – Ref: AC672/1/1

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Life at The Steppes

A stop at The Steppes was once essential for every traveller in Tasmania’s Central Highlands. On our list of recently digitised materials is a sketchbook of birds and plants  by Marjorie (Madge) Wilson, who was the last resident of the house at The Steppes.

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