‘By Mountain and Sea’: the Model Factory at Cadbury’s Claremont

It has been stated in Melbourne newspapers that there is a probability of the world-famous English firm of Cadbury’s cocoa and chocolate manufacturers establishing a factory in Melbourne or Sydney to supply Australian requirements. It is understood, however, that there is an equally good chance, if not a better one, because of climatic and other advantages, of the factory being established in Tasmania. … It is understood that the location of the factory will be decided upon very shortly. Should Tasmania be favoured, the State will be given a great lift up.

The Mercury, 25 Mar 1920, p.4

In January 1920, a group of executives from the English firms of Cadbury’s and Fry’s visited Tasmania to examine a possible site for a new factory. The group had already visited several other potential sites in Australia, including along the Paramatta River in Sydney, and the western suburbs of Melbourne (Freestone, Model Communities, p.151). The executives were, however, won over by the cool climate and beautiful scenery of Tasmania that they found to embody the Quaker values of the company. The site that was chosen was unique: a 100-hectare peninsula that extended out into the River Derwent at Claremont in the northern suburbs of Hobart. The site met all practical requirements for production too: the surrounding suburbs offered a ready workforce, and there was strong state government support, excellent infrastructure including an international shipping port, and a good power supply thanks to the Hydro.

Tasmanian Archives: Photograph – Claremont – Cadbury factory – recently constructed factory building (1924-7), NS3256/1/73.

The establishment of the Cadbury Factory at Claremont was to have wide-reaching economic as well as social benefits for the Tasmanian community in the one hundred years since it opened. Cadbury’s is one of Tasmania’s largest private employers. In 1960, there were 1,100 people employed at the Claremont site in a range of roles, such as the operation and maintenance of complex machinery, the transportation of the raw products of sugar, cocoa beans and milk, and the packaging and decorating of the chocolates. Many Tasmanians have a family connection to the factory at Claremont, while others fondly remember visiting the Cadbury Factory when it operated as a tourist attraction, and in particular, emerging with pockets full of delicious chocolates.

The history of the Cadbury Factory at Claremont and its wider legacy in Tasmania is well documented in a range of items held within the Tasmanian Archives and the State Library of Tasmania collections. We have extensive photographs illustrating the history of the site at Claremont, as well as the chocolate making process. We also have a comprehensive range of pamphlets that visitors who toured the Cadbury Factory were given as a souvenir to take home. The State Library collection holds nine different editions and versions of this souvenir pamphlet, the earliest dating from the mid-1920s.

State Library of Tasmania:By mountain and sea: a souvenir of your visit to Cadbury’s Claremont, Tasmania. [Claremont, Tas. : Cadbury, 193-?] ([Australia] : Sungravure)

Other than one example from the 1960s, all these souvenir pamphlets contain the phrase: ‘By Mountain and Sea’ in the title, with multiple uses throughout the publications. It was a phrase used and promoted by Cadbury’s in various marketing and advertising campaigns, one that acknowledges the Quaker ideals and principles upon which the Cadbury Company was originally founded. These ideals shaped the factory site at Claremont, and influenced the ways in which Cadbury’s was promoted in Australia.

The Origins of the Cadbury Company and the Bournville ‘Factory in a garden’

It was in 1824 at his grocery store at 93 Bull Street in the centre of Birmingham in the UK that John Cadbury (1801-1889), the founder of Cadbury’s, first started to make and sell chocolate. As a Quaker, John sought to develop a popular drink as an alternative beverage to alcohol, and so created his delicious drinking chocolate and cocoa powder (Crawford, More than a Glass and a Half, p.14). These products proved very popular, and in the decades that followed the family business, now led by John’s two sons Richard (1835-1899) and George (1839-1922), expanded. In 1849, Cadbury’s started to produce solid chocolate bars (Chinn, The Cadbury Story, p.9), and in 1878 production had expanded to such a degree that it required a move to larger premises on the outskirts of Birmingham.

Tasmanian Archives: Photograph – A block of Cadbury chocolate – 2 photographs (1950-59), AB713/1/3318

The site that was chosen for the Cadbury factory was in a rural setting just outside the city of Birmingham, which they named Bournville (Chinn, The Cadbury Story, pp.19-23.). Here, Cadbury’s sought to establish a new sort of factory; it was to be a move away from the dirty, unhealthy factories in towns and cities that were so prominently established during the industrial revolution in the United Kingdom, instead, the factory at Bournville was to be surrounded by trees and gardens, with better conditions and lifestyles for the workers (Wordsworth, A History of Cadbury, pp.76-84). The factory at Bournville was in line with the Cadbury family’s Quaker ideals. The Quakers, otherwise known as the Religious Society of Friends, was founded in the seventeenth century in England, with key focuses on education, social welfare, and peace (Farrall, ‘Religious Society of Friends (Quakers)’, p.306). By the year 1900, the Cadbury factory site at Bournville had been developed to include numerous lifestyle and educational facilities to support the workers, including the construction of homes for employees in a model village, parks for recreation and sporting facilities. Bournville came to be famously known as the ‘factory in the garden’.

The model Cadbury factory at Claremont

As the factory site at Bournville was developing, Cadbury products and production was diversifying and expanding. From 1881, the company started exporting overseas, and merged with other confectionery companies, including English chocolate company J. S. Fry in 1919. A merger with the English company Pascall, was formalised in 1922. It was at this time, that Cadbury’s looked to expand their production into Australia, which was one of the largest chocolate-consuming markets, and it was the site at Claremont that they settled on.

Tasmanian Archives: Photograph – Cadbury’s factory, chocolate manufacturers, Claremont, near Hobart – workers leaving the factory (1925), PH30/1/3939

After the formal opening of the Cadbury Factory in Claremont in October 1922, a variety of factory, storage, and administrative buildings were constructed at the site. This also included a train line extension and a train station. The complex logistics of importing the raw products to Tasmania, including the Cocoa from Ghana, sugar from Queensland, and the transportation of milk from dairy farms on the north-west coast of Tasmania, needed to be arranged. The intricate machinery was constructed by around forty Cadbury employees who were brought out from the UK to help set up the factory and to train the local workers.

The new site at Claremont provided an opportunity for Cadbury’s to construct a factory that embodied Quaker principles, just as they had done at Bournville. Gardens and outdoor spaces were developed around the Cadbury factory complex, to create idyllic surroundings for healthy living and a content staff. To aid in the work-life balance, in 1923 Cadbury’s built twenty houses for executive staff to live with their families, with a school located close by. The peninsula surrounding the factory came to be known as the Cadbury Estate. Sporting facilities included tennis courts, golf course, cricket ground and a bowling green. There were extensive gardens in which to walk around and relax during breaks.

State Library of Tasmania: By mountain and Sea : Claremont Tasmania, [Claremont, Tasmania] : [Cadbury-Fry-Pascall Pty. Ltd.], [between 1930 and 1939?]

A range of social activities and clubs were developed to support the education and social welfare of staff. A welfare committee was established, and nurses were available onsite. Dining facilities provided meals at reasonable prices. Educational facilities included a library and a range of special interest clubs, including a camera club called Candied Camera, and a Floricultural Society, as well as a youth club, and a girls’ club were established. Several of these clubs produced publications such as newsletters and magazines, such as Candied camera : news magazine of Cadbury’s Camera Club.

Tasmanian Archives: Photograph – Cadbury Factory, Joyce in cocoa bean store, “Cadburys – A Cake of Chocolate” (1952), AB713/1/1427

Education in Tasmanian schools and the community more broadly was central to the Cadbury philosophy. An Education team within Cadbury’s worked with the Tasmania Education Department to develop curriculum for Tasmanian Schools. They produced films, visual aids, and information packs about the production of cocoa and the innovations in technology used to produce it. One such series of photographs was produced in 1952; called ‘A Cake of Chocolate’, the stunning series of photographs illustrates the story of chocolate production through the eyes of a little girl called Joyce. Joyce explores the Claremont factory site with a guide, learning about the raw ingredients and their origins, as well as the technology used to manufacture chocolate. Her excitement and awe is captured.

Tasmanian Archives: Photograph – Cadbury Factory, Joyce and guide talk about the ingredients, “Cadburys – A Cake of Chocolate” (1952), AB713/1/1426
State Library of Tasmania By mountain and Sea: Claremont Tasmania, [Claremont, Tasmania] : [Cadbury-Fry-Pascall Pty. Ltd.], [between 1930 and 1939?]

‘Where the air is pure “By Mountain and Sea”’

Parallel to the development of a range of facilities at the Claremont factory site to support the health and welfare of workers was the promotion in advertising of Cadbury’s products as having health benefits. Advertisements highlighted Cadbury chocolate products as being made with the very cleanest of water, the freshest of milk and the best fruit produced in the clean Tasmanian air. In one advertising campaign from the 1930s, a series of Cadbury employees, dressed in white, starched uniforms that could be mistaken for nurses outfits, presents us with a chocolate bar. In the background is the Cadbury Factory, along with kunanyi / Mount Wellington and the River Derwent.

State Library of Tasmania: By mountain and Sea: Claremont Tasmania, [Claremont, Tasmania] : [Cadbury-Fry-Pascall Pty. Ltd.], [between 1930 and 1939?]

Images of kunanyi / Mount Wellington and the River Derwent, as well as the phrase ‘by mountain and sea’, recur through a great deal of advertising materials produced in the one hundred years since the Cadbury Claremont site was opened. The mountain and sea were key aspects of Cadbury’s health marketing strategy and messages, and have at their heart the Quaker philosophy. One particularly beautiful illustration of ‘By Mountain and Sea’ that was produced in the 1950s by Harry Kelly (d.1967). Harry Kelly was responsible for many of the iconic posters advertising Tasmania in the 1930s, including Tasmania, the Switzerland of the South.

State Library of Tasmania: By mountain and Sea: Claremont Tasmania, [Claremont, Tasmania] : [Cadbury-Fry-Pascall Pty. Ltd.], [between 1930 and 1939?]

Display now on: ‘By Mountain and Sea’: 100 Years of Cadbury’s at Claremont

Libraries Tasmania is currently celebrating the one hundred years of the Cadbury Chocolate Factory at Claremont with a display in the State Library of Tasmania and Tasmanian Archives Reading Room (on the second floor of the 91 Murray Street Building).

‘By Mountain and Sea’: 100 Years of Cadbury’s at Claremont presents information about the history of the company and its connections to dairy and fruit industries around Tasmania. The display showcases historic photographs, films, illustrations, and product artworks from the Libraries Tasmania collection. Excitedly, we have on display a collection of original sketches and mock-ups drawn by Vernon Hodgman (1909 – 1984). Vernon Hodgman was a commercial artist and industrial designer at Cadbury’s Claremont between 1928 and 1940, and in 1945 became the Head of the Design Studio. These items are on loan from the Hodgman Family.

You can also look through images of Cadbury’s online through the Tasmanian Archives and the State Library Flickr Album.

Tasmanian Archives: Photograph – Aerial views of Cadbury’s Estate Claremont (1950), AA193/1/1237

Bibliography

Select Primary Sources: Tasmanian Archive and State Library Collections

ED330/1/21    Film – A cake of chocolate (1950-1960)

AB869/1/431   Film – Cadbury’s factory – stock footage(1950)

NS5078/1/7 Cadbury Estate, Claremont, City of Glenorchy

By mountain and sea / Cadbury-Fry-Pascall Proprietary Limited (Claremont, Tasmania : Cadbury-Fry-Pascall Pty Ltd, [between 1922 and 1939?])

By mountain and sea: a souvenir of your visit to Cadbury’s Claremont, Tasmania. (Claremont, Tas : Cadbury, 193-?] ([Australia] : Sungravure)

By mountain and Sea: Claremont Tasmania, [Claremont, Tasmania]: [Cadbury-Fry-Pascall Pty. Ltd.], [between 1930 and 1939?].

Cadbury’s : the story of Tasmania’s famous factory by mountain and sea, Claremont, Tas. : Cadbury-Fry- Pascall Pty. Ltd., [ca. 1960]

Secondary Sources

Ted Best, ‘Cadbury’, in The Companion to Tasmanian History edited by Alison Alexander (Hobart: Centre for Tasmanian Historical Studies, The University of Tasmania, 2005), p.62.

Carl Chinn, The Cadbury Story: A Short History (Studley, England: Brewin Books, 1998)

Robert Crawford, More than a Glass and a Half: A history of Cadbury in Australia (Braddon, Australian Capital Territory: Halstead Press, 2022)

Stephanie Farrall, ‘Religious Society of Friends (Quakers)’, in The Companion to Tasmanian History edited by Alison Alexander (Hobart: Centre for Tasmanian Historical Studies, The University of Tasmania, 2005), p.306.

Robert Freestone, Model Communities: The Garden City Movement in Australia (Melbourne: Thomas Nelson, 1989)

Diane Wordsworth, A History of Cadbury (Barnsley, South Yorkshire: Pen & Sword History, 2018)

The Lady Conductor and the Score of ‘The Toreador’

A single item, sitting on a library shelf, can be the thread of a story that weaves through locations and generations. This one is a ‘musical score’ – the sheets of music notes used for a performance – owned by a notable (but little known) Tasmanian woman.

Continue reading “The Lady Conductor and the Score of ‘The Toreador’”

An International Woman: Emily Dobson (nee Lempriere)

Community Archives recently purchased a studio portrait of Emily Dobson (nee Lempriere) (1842-1934) as a young woman. It provides a rare window on the early life of a woman who entered the public sphere in her 50’s and was a prominent activist until her death at 91.

Emily Dobson was a wealthy, nineteenth-century woman who used her position in society to organise and influence her community into action. Mrs Dobson is known for creating, and being the driving force in at least nineteen philanthropic societies. She was endlessly curious and had a wide range of interests that evolved throughout her life. Her interests ranged from alleviating poverty through health, sanitation, food and housing, and caring for the needs of the sick and people with disabilities, through to social and educational organisations for women and girls, such as the Girl Guides, Victoria League, Alliance Francaise and Lyceum Club. Although Emily did not agitate politically or challenge the establishment, she worked hard to improve society in the ways she felt were proper.

Emily Dobson, ca. 1866, Tasmanian Archives: PH40/1/363
Continue reading “An International Woman: Emily Dobson (nee Lempriere)”

Isn’t it good, Taswegian Wood: Experiments in Growing Cricket Bat Willow Trees and a Wooden Cricket Pitch

In the 1930s and 40s cricket bats were a precious thing. Around the world, bats were in short supply, largely due to an increase in demand for English willow (Salix alba var. caerulea) for use in a range of items both during and after the Second World War. As was noted in correspondence between J. M. Crockett and The Commissioner of the Australian Council of Agriculture in July 1940:

every available tree of this type has been taken over in Gt Britain for War Purposes, the chief item being aircraft construction, the timber being the best substitute for spruce, which is all tied up now in countries occupied by the enemy … The other uses for this willow is artificial limbs for which no other timber is suitable, and recently has [been found to have] the quickest, and most powerful detonation as a component in high explosive fuses for shells … So you can see that none of the tree is not of high commercial value.

As a cricket bat manufacturer, J. M. Crockett (Jim) had obvious motives in writing to the Commissioner and highlighting both the current global willow shortages and the value of willow timber more broadly; he wanted to propose the planting of willow trees as a viable and profitable agricultural activity in Australia. As Jim Crockett continues in his letter, ‘in normal times Australia’s requirements alone is 100,000 cricket bats annually, for which 4,500 mature trees would be required to produce the same.’ Kashmiri willow, which today is a major source of cricket bat willow, had not yet been fully developed as an industry outside of India, and so the bat-making industry was having to look further afield to other sources of willow. Australia, and most particularly the cooler and wetter climate of Tasmania, was certainly a strong option worth exploring. Over the next few years Jim Crockett made several visits to Tasmania, noting the ‘climatic conditions ideal’ for willow bat propagation. Indeed, he went so far as to state that ‘not only could Tasmania make Australia self-sufficient, but an export trade to the empire’s cricketing Dominions was extremely likely.’

Continue reading “Isn’t it good, Taswegian Wood: Experiments in Growing Cricket Bat Willow Trees and a Wooden Cricket Pitch”

Preservation Digitisation Project

In February 2021 the Tasmanian Libraries launched a major project – the Preservation Digitisation Project – across Digitisation Services, the Government Archives, and the Community Archives teams. The aim of this project is to preserve our Tasmanian film, sound and video collections for long-term preservation and access by the public. Our priority is the magnetic tape collection which is at great risk of being lost forever if not digitised before 2025.

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Recently Digitised Material: October-December 2021

This blog features some of the recently digitised items from the Tasmanian Archives and the State Library of Tasmania.

Read on to find out more about our new additions to our digital collections! To discover even more, you can also search our catalogue and Tasmanian Names Index or visit us on FlickrYouTube and Instagram.

In this blog:

  • Photographs of Tasmanian Cricket Teams – Ref: PH40/1/3625-27
  • Photographs of Launceston and Perth– Ref: NS7193/1/5-8
  • Artwork of Launceston Mechanics Institute – Ref: LPIC41/1/1
  • Artwork of Hobart Town, on the River Derwent, Van Diemen’s Land by W.J. Huggins (Allport)
  • Photograph of Twin Ferry Kangaroo, Hobart – Ref: PH30/1/3269
  • Advertisement for Weaver and Co, Wellington Bridge Hobart by T Midwood – Ref: NS6760/1/7
  • Glass Plate Negatives by A Rollings of Sorell Area – Ref: NS1553/1/1010-1099
  • Register of Convicts B, M-Z 1835-47 – Ref: CON22/1/4
  • Register of payment of salaries to officers of the police, 1855-57 – Ref: AUD45/1/1-3
  • Journal of a voyage from Liverpool to VDL, 1833 – Ref: NS5739/1/1
  • Copies of Wills Recording Granting of Probate – Ref: AD960/1/6, AD960/1/7
  • Film of opening of Launceston library after refit – Ref: AG279/1/2
  • Film of the Launceston children’s library – Ref: AG279/1/1
Continue reading “Recently Digitised Material: October-December 2021”

10 ways to boost your Tasmanian Names Index searches

There have been some recent enhancements to how you can search the Tasmanian Names Index.

We have added more fields to the search filters on the drop-down menu to the left of the search bar. Some of these have always been there (while some are new additions). Many of you might not have been aware of the drop-down menu at all, but it can be a useful tool for refining your searches in our ever-expanding database of Tasmanian life.

Here is a short guide to what those options mean and when it might be useful to use them.

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Recently Digitised Material: July-September 2021

This blog features some of the recently digitised items from the Tasmanian Archives and the State Library of Tasmania.

Read on to find out more about our new additions to our digital collections! To discover even more, you can also search our catalogue and Tasmanian Names Index or visit us on Flickr, YouTube and Instagram.

In this blog:

  • Richard Simson Photographic Collection – Ref: NS6351/1/1-95
  • Albums of Gladys Midwood – Ref: NS6759/1/2-3
  • Photographic Albums by Margaret Smithies, Ernest George Record and the McDowell family
  • Tasmanian Government Railways
  • 1920s aerial view of Hobart city block bounded by Murray, Harrington, Liverpool and Melville Street looking North from behind His Majesty’s Theatre and Hobart Rivulet – Ref: NS892/1/61
  • Artworks of Launceston
  • Emu Bay by Thomas Unwin
  • The Pests of the Prince by Henry Manly
  • TGR Williams glass plate negatives – Ref: NS1409/1/46-48
  • Judges notes on capital offences committed at Norfolk Island, 1846 – Ref: CSO20/1/449
  • Burial Plot Maps, Cornelian Bay Cemetery 1915-16 – Ref: AF86/1/1
  • Wills from AD960/1/5
  • 1829 journal written from London to Van Diemans Land by John Owen Lord – Ref: NS301/1/2
Continue reading “Recently Digitised Material: July-September 2021”

Hidden figures: Tom Midwood, caricatures and Tasmanian Railway Records

Sometime in the 1990s it came to the attention of the National Archives (then responsible for Tasmanian railway records) that a large collection of railway plans was languishing in haphazard storage at the Inveresk Railyards in Launceston. Archivists were dispatched to investigate and encountered a chaotic situation. Records had been stored anywhere and everywhere, including stuck up a disused chimney! Many had been badly affected by the 1929 floods and by the incursion of soot from coal-fired steam engines. However, the collection was one of marvellous significance, documenting Tasmania’s railway infrastructure. The archivists made a case for the preservation of this collection and secured funding to perform the mammoth task of cleaning, organising and properly storing the recovered hoard. In the process they found something quite unexpected.

Continue reading “Hidden figures: Tom Midwood, caricatures and Tasmanian Railway Records”

Recently Digitised Material: January-June 2021

This blog features some of the recently digitised items from the Tasmanian Archives and the State Library of Tasmania. Each year, we place items online to help promote and preserve our rare and special collections. These images and films are just a tiny sample of an amazing treasure trove of Tasmania’s heritage. From colonial artwork to convict records, fragile glass plate negatives to rare films, private letters to government records, our collections (including the Allport Library and Museum of Fine Arts and the W L Crowther Collection) tell millions of stories from Tasmania and around the world.

Read on to find out more about our new additions to our digital collections! To discover even more, you can also search our catalogue or visit us on Flickr, YouTube and Instagram.

In this blog:

  • Photographs related to the history of Tasmanian trams, buses, equipment and staff – Ref: AG184/1/1 to 33
  • Glass plate negatives of Hobart and Surrounds by William James Little (c1870 – 1920s) – Ref: NS526/1/1 to 49
  • Photographs collected by the Cox Family (c1850-1929) – Ref: NS6904/1/1 to 87
  • Photographs of Launceston sent to Overseas Pen-Friends – Ref: NS5622/1/1 to 15
  • Photographs of Hobart and surrounds taken by James Chandler (c1920s) – Ref: NS1231/2/1 to 22
  • Small collection of glass plate negatives from the Black family (c1930s) – Ref: NS5583/1/1 to 13
  • Album of Thomas Midwood – Ref: NS6759/1/1
  • Port Arthur Circuit – Baptism Register  (1828-43) – Ref: NS499/1/531
  • Port Arthur Circuit – Burial Register (1832-43) – Ref: NS499/1/532
  • Wills from AD960/1/1, AD960/1/2, AD960/1/3 and AD960/1/4
  • Travel Diary by Ernest Bailey – Ref: NS5845/1/1
Continue reading “Recently Digitised Material: January-June 2021”