At the foot of Mount Wellington stands the remains of a forbidding institution. Nearly two centuries ago, the walls of the Cascades Female Factory housed hundreds of women, children and babies. Some of these convict women were waiting to go to new masters, others were being punished. Now you can help to tell their stories through our newest digital volunteering project, transcribing the Register of Female Convicts at the Cascades Female Factory, 1833-1834.
Have you ever driven past the Alexandra Battery in Sandy Bay and wondered what it was for? Have you ever heard rumours of a planned Russian invasion of Tasmania in the 19th century? As Anzac Day approaches, we’d like to share the story of the Southern Volunteer Artillery Regiment with you. Thanks to our new corps of online volunteers, we can now tell this amazing story in a new way, preserve it for future generations, and maybe even link it to your own family history. Intrigued? Want to get involved? Read on!
Nothing said ‘I’m important’ in 19th century Van Diemen’s Land more than having your portrait done.
The convict artist Thomas Bock was Hobart’s most fashionable portrait painter in the 1840s. The Allport Library and Museum of Fine Arts has possibly the largest collection of Bock’s works, and it has just expanded to include an extensive range of portraits of the Lewis family, made between 1835 and 1854.
Our previous post described the notebook of William Allison, a cunning man or traditional healer active in Van Diemen’s Land during the 1830s and 1840s. Survivals of such documents are extremely rare, and unheard of in colonial Australia. Besides recording Allison’s activities, his notebook sheds light on his network, naming two other practitioners from whom he obtained recipes: Moses Jewell or Jewitt, and Benj Knokes also noted as ‘BN’. Continue reading “Colonial Cunning Folk, part two: Moses Jewitt and Benjamin Nokes”
A nondescript little notebook, hidden in plain sight in the state archives, has opened a window onto two extraordinary lives and yielded some startling insights into the popular beliefs and practice of traditional medicine in colonial Tasmania. William Allison (ca.1789-1856) and Benjamin Nokes (ca.1780?-1843) were ‘cunning men’, skilled in the use of herbal remedies, lacking formal qualifications but widely respected, operating somewhere on the spectrum between magic and science.
Where theatrical performances were enjoyed by the light of sperm whale oil lamps and theatre goers could enjoy a tipple in the tavern underneath. Through name changes, alterations, additions and a fire, Hobart’s Theatre Royal has survived the ravages of time.
If you’ve been through the Allport gallery recently, you will have noticed the birds. They are familiar birds, with all of the endemic Tasmanian species represented – many visitors will recognise them from their own backyard. And they are lovely. But the thing that convinced us that it was worth getting these prints out for display is the controversy – whose hand created them?
The bushranger Michael Howe and his gang terrorised Van Diemen’s Land from 1815 until Howe’s death.
Next year will see the two hundredth anniversary of Michael Howe’s final showdown, so we created a timeline of the events that led to Private William Pugh of the 48th Regiment shooting and killing Howe on 21 October 1818 near the Shannon River.
Click on the following image to view the live timeline, then, double-click on any event in the timeline to view the newspaper article about that event.
Re boxing a series of old legal documents is not my idea of a fun few months. It usually involves simply pulling out the paper clips and pins that damage the old paper and re housing them into crisp white archival folders.
However, whilst re boxing our intestate wills (documents related to people who have died without a will) I discovered three letters written by George Bramwell to his then wife in England.
Still not overly exciting….until I realised George was a convict, and in amongst the polite greetings and formalities he mentions details of his life as a convict. This provides us with a different insight into Van Diemen’s Land than that of the privileged free settler or gentleman farmer.